出色的观后感让我们有机会分析电影中的人物行为和动机,观后感让我们有机会反思影片中的社会问题,引发深层次的思考,写文书吧小编今天就为您带来了刮痧的英文观后感7篇,相信一定会对你有所帮助。

刮痧的英文观后感篇1
电影《刮痧》是一部反映中美文化冲突的优秀影片。《刮痧》只是一滴水,而蕴藏在其中的却是因种族,区域,传统和文化不一样而构成的活力澎湃的汪洋大海。在美国,尤其是在以保守和“居民顽固”著称的密苏里州,最能体现出这种对外来文化的排斥,所以影片把故事的发生地放在了那里。虽然影片是从“教子”这个角度去反映不一样文化冲突的,但我们仍能从故事的一些其他侧面加深对这种冲突的认识和了解。比如主人公许大同为了自我和洋人老板的所谓“面子”,当着洋人老板的面打了自我儿子一记耳光,非但没有找回自我和洋人老板的面子,还落得一个有严重暴力的恶名,连他的好朋友——就是那个洋人老板都不能明白和原谅他。起因是正因许大同的儿子丹尼斯在和洋人老板的儿子一齐玩儿时,互相打闹。洋人老板的儿子来告状,许大同让丹尼斯给人家道歉。丹尼斯拒绝了,许大同怒了,就给了儿子一巴掌。
许大同的这一巴掌,第一是为了给自我找回面子。
父道尊严是古老中国千年儒家文化的典型特征。君臣父子,天常地纲,不得僭越。君教臣死,臣不得不死;父教子亡,子不能不亡。按许大同看来,他叫丹尼斯给小朋友道歉,丹尼斯务必无条件执行。拒绝就是抗命,就是不给自我面子,就是挑战尊严。于是他给了儿子一掌。
许大同的这一巴掌,第二是为了给自我的老板一个面子。
许大同在美国混的小有成就,皆因有老板大力提携和扶助,所以他们也成了好朋友。老板的儿子被自我的儿子打了,当着老板的面让儿子给对方道个歉,老板必须觉得很有面子。儿子不听话,挨了打,老板的面子就找回来了。甚至许大同的父亲都当面夸大同这一巴掌打得好,说:“当面教子,背后教妻,”一幅自诩的表情。
但许氏父子全都错了。
从洋人老板和妻子目睹许大同打儿子那一巴掌时错愕的表情里,观众读懂了,中美两种文化的碰撞和摩擦开始了。
林语堂先生在《脸与法制》一文中说,中国人的脸不但能够洗,能够刮,并且能够丢,能够赏,能够争,能够留。有时好像争脸是人生第一要义,甚至倾家荡产而为之也不为过。
鲁迅先生笔下的阿q,既无财产也无地位,但却有的是面子,一旦被人伤了面子,比父母死了还难受。面子几乎统治了中国人的心灵,“人要脸,树要皮”,“饿死事小,失节事大”,足见其在中国传统文化中的地位之大之先。
而美国人则不一样。美国人不是不讲面子,只是不像中国人把面子摆在那么重要的位置。他们在原则问题上,绝不讲面子。比如在法庭调查时,许大同的老板当着许大同的面,承认许大同打了自我的儿子。事后当许大同责备他“不够朋友”出卖自我时,他嗫嚅着说,“那我也不能撒谎啊”。
造成中美文化差异的原因是复杂的,表此刻讲面子问题上,更突出了这种差异的互不包容。中国人是一个十分看重群众主义原则的群体,人与人之间讲究和谐,互相依存,互相帮忙,这是几千年农耕礼貌培育的一种生存法则。落后的农业生产方式实际上是一种十分脆弱的生存纽带,维系在上方的人们,无法脱离它的束缚。冲突的结果必然是毁灭现存的秩序,造成生产关联的又一次调整,使得苦难得以无休止的轮回。所以中国人愿意忍让,尊重别人,把和谐看得比天都大,把群众看的比天大,把面子看得比天大,不到万不得已,绝不轻言战端,绝不轻易得罪别人。这也是中华大一统历经离乱,而中华民族一向统一不散的一个重要原因。
许大同想给自我的老板面子,没想到自我落得一个很没面子的结局,他那关于面子的几
乎全是来自中国的理论和做法,使他陷入绝望。儿子被儿童福利局监护;妻子分居;父亲怆然回国,他只能自嘲自我为一堆“臭狗屎”。
?刮痧》所表现的冲突,只是中西文化全部冲突的一个缩影,这种冲突还将长久的继续存在。重要的不是改变,正因无法改变——两个民族几千年构成的思维和认知,只能随着交流的加深而逐渐融合。重要的是习惯和相互适应——当观众们看到影片结尾许大同一家人活力的相拥在一齐理解包括公诉人在内的那么多美国人的祝福时,谁能说这不是一种相互适应和融合呢。
刮痧的英文观后感篇2
charlie from the "rain man" brings out the hospital until the beginning of "rain man" returned to the hospital is the film's central narrative paragraphs, occupy the entire film is 2 / 3 over. this progreis the procemore like road-mode, and this car is a big important paragraph of the props and bearing. the film also made a conscious decision to use other modes of transport instead of cars to complete the film "family" theme of the portrait. when charlie prepared with "rain man" on the airplane, "rain man" showed extreme panic and anxiety, and enumerated in the previous periods crash. in no way charlie circumstances had promised to "rain man" take automotive requirements. at this point, and directing were reached to extend the use of narrative time and space vehicles, and create a relatively broad narrative environment.
the whole car is the bearing of the incident, the theme is the cornerstone of good play. in the two-person trip to the middle of a "rain man" suddenly reminded of his underpants, he was required to return to the charlie designated places to buy designated underpants. this has been a strange burn up his brother charles at this time the dilemma. abnormal helplehe angrily left the car, walked alone one person complained loudly, when he can look back again, my brother has not the car, but to sell his underpants that direction going. at that moment, the car empty, represented the brothers emotion and the way of thinking on the alienation and difficult to communicate, so俩人have left their places of spiritual exchange - automotive, suddenly created a separation empty art results. when charlie and later, "rain man" won large amounts of money in the casino after playing and traveling together when suzanne, the atmosphere is warm, because the narrow space in this car represents the soul of communication between the brothers, let them at the same time bathed in golden sunlight, the spring water fountain also like the ease of mind and a cheerful background music and exciting dance issued轻捷crisper, and drop people droplets sound. in these two areas, car apparently served as a "family" of communication sites, was a sharp contrast, and the plot laid a foundation for further development.
apart from the car, also used in the film, such as the telephone, television, such as the product of modern science and technology to social reality of the state of some of the hidden side of refraction, and have a certain amount of social satire role. however, the greatest irony in the film, or for "rain man" charlie irony.
"rain man" is suffering from "autism" a claof people is excluded from the normal world outside. the film "rain man" raymund is typical. he has done things always behave properly all the things i asked chen unchanged. he and others fear that exchanges and contacts, everything in the world is limited to the plane, dogmatic understanding of their behavior is the "otherness" in total disregard of the environment and the changes only according to its own subjective sense of action . and past performance of "non-normal" film, the film "rain man" apart from congenital disability, but also has some "normal people" do not have some talent. in the movie, the director repeatedly demonstrated his interest and the unique digital extraordinary memory capacity, and intensified this individual acts, the leading clues, the entire narrative become an important motive exists. the film also uses its own characteristics that created a special effects comedy and drama tension. from a certain perspective, "rain man" films of this role is the focus of the entire drama. tablets comedy links, the motives for contradictions in his possession were to be embodied. if charles and suzanne se-x, the unknown rational raymund enter their room, and suzanne and together up. this in his personal unconscious, without creating a logical act of endlejokes in the film. more importantly, his behavior aroused the discontent charlie, but also for the further development of narrative and character level two opposing laid the foundation for mutual dissolution.
刮痧的英文观后感篇3
when i first saw this film’s name ,i considered it as a movie that told us something about chinese traditional therapy treatment. however , after the movie , i realized guasha was just a symbol of the difference between chinese culture and western culture , and there were many aspects we should have a deep consideration .
at the beginning of the film , xu datong slaps his son denis on his face before the crowd , because denis hit the son of xu’s son and xu just want to show the respect to his boss quinlan , that time quinlan feels puzzled and says“what a chinese logic”. of course , an american can never know a chinese logic of interpersonal relationship which has been prolonged more than 2000 years . chinese can wronged their children in order to maintain friendships and leader-member relation ,while american think everyone is equal and free .
in addition , they can also never understand chinese hit their children because of loving them . in america , people pay more attention to the right of children which can be seen from the law-beating children or leave them alone is illegal , but a chinese old proverb says “ spare the rod , spoil the child” .
another scene which makes me deliberate is that the lawyer vilifies sun wukong in a journey to the west as a symbol of
barbarism and violence in the court ,then datong is eaged and then rushes to fight the lawyer . we all can know the reason ,because sun wukong is a hero on behalf of justice , representing chinese traditional values and virtues .
guasha treatment tells us that the key to avoid the conflict of different cultures is mutual understanding and tolerance.
刮痧的英文观后感篇4
片子总的来说是成功的,看《刮痧》容易让人想起李安的父亲三部曲,可是又有不小的差别。
李安的电影更加细腻,文化、情感冲突来的安静一些,而这部《刮痧》的冲突是很强烈的。并且李安的电影一般是描述家庭内部的思想文化冲突来影射中西文化冲突,他的电影中,新一代一般是被西化了的,西方或者说是美国文化的代表不是纯粹的美国人,这可能要追究到李安的家庭情节,把一切的思想的表达融入到家庭冲突之中。而《刮痧》将枪口直指中美文化的极致——“刮痧”。片子的前部分显然要优于后一部分,前部分冲突不断,感人至深;然而后部分,不客气的说是有点“矫情”。这个问题出于:导演急于给影片一个进取的结尾和。可是“刮痧”放到国际则不是那么快速、也不是那么容易理解的。片子的最终,也没有得到升华,只是他们团圆了,时候呢说这电影后部分矫情则是出于“爬屋顶”一段戏,这种类型的桥段多用于港式小浪漫,但在这个严肃的话题之下则是失败的,导演本想用这段来拽取观众的眼泪,可是这不是港式感情片(相爱的男女主角无奈分开后,在影片最终五分中相遇,亲吻结束)。
片子的中我们能够看到导演试图将“刮痧”拓展到一个更大范围的文化差异,例如:管教孩子,中国说的是“打是亲,骂是爱,不打不骂不成才”,而美国人对于“打孩子”联想到的只是“虐待”或者“犯罪”再不会又“爱”这个字眼;中国人一贯的道德规范之中有一条是“父债子还”,而美国人则是没有这种情节的,所以山姆大叔永远不会明白许大同替父担当“罪名”。这样的拓展是十分有必要的,可是也许是因为片子中的“刮痧”冲突太大,这样的拓展没有到达该有的效果,被什么东西拽住了。
我有一点很是费解,为什么他们夫妻说话的时候总是用英语,就算是吵架,就算是喝醉了以后。我和我们女朋友此刻都在外省上学,可是我们在一齐的时候总是说方言,两个中国人在一齐老说英语有点怪怪的。
片子中表演最好的数梁家辉了,我最喜欢的片段是,大同和父亲在机场的告别,还有夫妻一齐喝酒痛哭的片段。也是片子中最感人的地方了。
刮痧的英文观后感篇5
1、gua sha is a movie about the differences between american and chinese culture. xu datong is a video games designer in st. louis. when his father visits from china, he performs gua sha (a chinese traditional treatment) on his grandson, which leaves bright red marks on the skin and causes a lawsuit of child abuse. in the court, datong loses his mind so that finally he loses custody of his son. i think this scene is shocking and thought-provoking to most of the chinese audiences. but the most impressing scene to me is the ending. datong wants to see his son in christmas eve, he has to climb a pipe to the ninth floor which his son lives. i think the pipe is not only a pipe, but also a gap, a deep gap between american and 5000-year chinese culture. he wants to climb over the gap and he will never succeed, perhaps no chinese people really could succeed.
2、guasha is really a depressive movie. it depresses me much more than crash. crash talks about the racial discrimination, a serious issues, while this talks about culture shock, not so serious, maybe. however, it shocks me more.
there’re a lot of conflicts in this movie, such as the criteria of abusing children, the using languages between the different generations, the ways of teaching children. of course, the main one is chinese traditional values and american ones. it is showed on two characters, datong and his father.
grandpa is a chinese traditional highbrow; he can accept the american values partly, but not to follow. at last, he chose to leave. he went back to peking. between two families, one is his country, another is his own family including his son with american dream, he chose the former. for an old chinese, i think it’s a good choice. also, guasha is done by grandpa which is the main clue of the movie.
datong is the central character. his words, his actions, his thoughtway, all represent the chinese traditional values. he is the typical that the director chose to exprethe theme. all conflicts are focus on him. on him, you see the culture shock.
the line that impresses me most is ” because he is chinese.” after ma-ki-ng so many conflicts, the director tells us the reason of all. it hits the nail on the head. here, the director forces you to face the reality of this society, in that melting pot, culture shock can be a big problem. i’m happy that the director is a chinese, so , we can safely conclude that we chinese are no longer as numb as luxun described in his novels. however, what he can do is just shows us the truth, not the method to solve the problem.
i’ve well understood the culture shock since i live with yao. it confuses me why there should be such a big gap between two chinese. especially when that gap is totally different from those between you and me or him and her. sometimes we just argued for some ” common sense” in guangdong which she completely can’t accept. different families’ settings , different regional traditions, and of course, different characters, perhaps are the reasons for this gap. however, we can do nothing with this gap but get accustomed to it.
in all, i don’t like this genre of movie which uses the cruel facts to criticize the society. it’s so cruel and depressive that you almost lose the hope to our society and have no bravery to face the truth. anyway, it makes us tough, too.
刮痧的英文观后感篇6
last week, i’ve watch the film named gua sha. actually, gua sha has another professional form as skin scraping. but i think it was not correctly enough. gua sha is a traditional medical treatment. the main function is to accelerate blood circulation. it has a good effect on hypertension, heatstroke and so on. once upon a time, our ancestors had told us generation by generation. we all believed its influence.
the story of this film happened in america. the hero, datong xu, an chinese people made a great succeand realized his american dream. he said, he loved america and america is an place filled with opportunities in a victory meeting. but an unfortunate thing came to him. one day, his five-year-old child called denis got a fever. the grandpa can’t understand the english introductions on the drugs. so he did gua sha for denis. unexpectedly it became the evidence for child abuse. datong xu was accused of child abuse. on the court, one after another witnetestified his bad behavior to his child. he can’t explain clearly about gua sha. in the face of so many distorted allegations, he became crazy. meantime, he was deprived of denis’s custody. he was forbidden to meet denis. his father decided to return to china. everything changed. he lost his harmonious family, his trust friends, his perfect job. he lost everything. he was forced to live in the slum. in the slum, the couple hugged and cried together.
at christmas, he missed his son very much. then he pretended as santa claus to see his son secretly. the guide didn’t let him in. he climbed the water tube. at that time, police came. he can see denis. he succeeded at last.
the film reflects the cultural shock in foreign country. finally the hero overcame the obstacles through his endeavor. it deeply impressed me that the difficulty we must face in the foreign country, because of the distinguished culture. only more munication we make, leproblems it may appears. it is a long way for us to go. we should put it in mind.
刮痧的英文观后感篇7
?刮痧》这部电影借一件小事反映了中美文化(或者说东西方文化)的冲突。电影中许大同的父亲的一句话最能说明这个问题。他说,刮痧在中国已经几千年了,怎样一到美国就说不清楚了呢其实说不清楚的何止是刮痧这种传统的中医疗法。象许大同代替父亲承认是自我给孩子“刮痧”,许大同对上司说的“我打孩子是对你的尊重”等等中国的传统道德规范,在上司桑兰那里又何曾得到理解和认同。中国传统礼貌古国,有着丰富的民族文化与民族传统,两千年儒家文化孕育下的华夏民族,忠孝礼仪深入人心。民族思想,爱国情操,是每一个公民,更加感性化。
美国现代礼貌国家,区区三百年历史,但短暂的历史恰恰使这个国家更容易理解新的思想,没有思想的累赘。现代的国家,主要体此刻他的法律之上。法理,深入到社会的各个部分,依法办事,是这个国家更制度化,更规范化。
当两个礼貌国家相撞时,又会发生怎样的故事呢
中国,两千年的发展与延绵,社会每个方面,人们都拥有他们祖先的经验,人们的行为准则,更多的是来自于社会的默许,也就是一套自我人公认的行为规范。美国,短暂的历史,决定他必须有一套自我人必须承认的社会准则。而此要在短暂的时间里是实现,就必须依靠明文规定也就是法。
两个礼貌各自独立,没有好与坏,中国,你不能说他不行,因为他的民族依靠这个几千年就没有走过灭亡的道路。美国,你不能说他不行,因为他的现代民主,是美国走在了世界的前列,望尘莫及。
美国,法律深入到社会每一个角度,每件事都将法律,涉及到人的就要讲人权,孩子,一个敏感的话题,父母孩子,在中国人眼里,天经地义,深入人心,对于美国人来说,他们要保护孩子的合法权利,不允许他受到不合理的待遇。在这个问题上的巨大分歧,就要求必须要交流,才能解决彼此的分歧,才能避免一些不必要的麻烦,才能避免一些重大的错误。
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